|
Term I | Course # | Course Name | Lecture | Lab | Study | Credit |
---|
CAL 103 | Writing And Communications ColloquiumThis course empowers students with the written and oral communications skills essential for both university-level academic discourse as well as success outside Stevens in the professional world. Tailored to the Stevens student, styles of writing and communications include technical writing, business proposals and reports, scientific reports, expository writing, promotional documents and advertising, PowerPoint presentations, and team presentations. The course covers the strategies for formulating effective arguments and conveying them to a wider audience. Special attention is given to the skills necessary for professional document structure, successful presentation techniques and grammatical/style considerations. Close | 3 | 0 | 6 | 3 | HAR 190 | History of Art: Prehistory to the Modern EraThis course will introduce the formal vocabularies specific to works of art and familiarize the student with the complex interaction between form, meaning, and historical context. Course readings will consist of historical documents, as well as recent critical and historical writing. Western and non-Western objects and architecture dating from pre-history to the mid-nineteenth century will be discussed at length in the classroom and at museums. Group B, 100-level course. Close | 3 | 0 | 0 | 3 | HAR 205 | Introduction to Digital MediaThis course introduces students to theoretical and practical experiences in interdisciplinary production technologies, with an emphasis on visual and aural design principles. Projects may include creating and editing digital images, music, sound, video, text, and motion graphics. Students will work in teams to create projects. Not for general Humanities credit. Close | 3 | 0 | 0 | 3 | CS 105 | Introduction to Scientific ComputingThis is a first course in computer programming for students with no prior experience. Students will learn the core process of programming: given a problem statement, how does one design an algorithm to solve that particular problem and then implement the algorithm in a computer program? The course will also introduce elementary programming concepts like basic control concepts (such as conditional statements and loops) and a few essential data types (e.g., integers and doubles). Exposure to programming will be through a self-contained user-friendly programming environment, widely used by the scientific and engineering communities, such as Matlab. The course will cover problems from all fields of science, engineering, and business. Close | 2 | 2 | 6 | 3 | MA 117 | Calculus for Business and Liberal ArtsLimits, the derivatives of functions of one variable, differentiation rules, and applications of the derivative. Definite integrals for functions of one variable, antiderivatives, the Fundamental Theorem, integration techniques, and applications of the integral. Close | 4 | 0 | 8 | 4 | PE 200 | Physical Education I | 0 | 0 | 0 | 0 | | Total | 15 | 2 | 20 | 16 |
| Term II | Course # | Course Name | Lecture | Lab | Study | Credit |
---|
CAL 105 | CAL Colloquium: Knowledge, Nature, CultureThis course introduces students to all the humanistic disciplines offered by the College of Arts and Letters: history, literature, philosophy, the social sciences, art, and music. By studying seminal works and engaging in discussions and debates regarding the themes and ideas presented in them, students learn how to examine evidence in formulating ideas, how to subject opinions, both their own, as well those of others, to rational evaluation, and in the end, how to appreciate and respect a wide diversity of opinions and points of view. Close | 3 | 0 | 6 | 3 | HPL 112 | Knowledge, Reality and NatureThis course provides an examination of philosophical concepts and ideas that address questions regarding the problem of knowledge (epistemology), methods of reasoning and the nature of reality (metaphysics). Special attention will be given to applying these topics to an introduction to the philosophy of natural science. Readings include classical sources such as Plato, Aristotle, Descartes, Hume, Kant, and Hegel, as well as contemporary works. Close | 3 | 0 | 3 | 3 | HAR 390 | Introduction to Principles of Form and Design IThis course traverses through the elemental study of two-dimensional art and design--structural elements, organizational principles, psychological effects, and communicative functions--focusing on both the technical and the imaginative. Problem-solving studio assignments and critiques combined with visits to museums and galleries enable students to develop criteria for the analysis and evaluation of images created both by themselves and by others. Close | 2 | 2 | 4 | 3 | HAR 393 | Drawing IThis course will approach the basics of drawing as an integrative tool where ideas and processes are explored and expanded through the drawing medium. Skills will be rendered through observation, manipulation, and coordinating and understanding these practices. Through problem solving within a range of projects, each student will begin to develop a visual language and the drawing skills that can be applied to conceptual, visual, and technical disciplines. Does not fulfill general humanities requirements; may be taken as a free elective. Close | 2 | 2 | 4 | 3 | BIA 310 | Digital Imaging IThis course will serve as an introduction to video production using current video technologies. Students will learn basic production skills and they will be introduced to the history of experimental film and video. There will also be a discussion of visual structure. In this course students will develop and shoot footage that may be used for Video II. Close | 2 | 2 | 6 | 3 | MA 119 | Multivariable Calculus & Finite MathematicsThe first third of this course introduces students to calculus for functions of several variables and requires that students are familiar with the main results and techniques from one-variable calculus. The applied problems emphasize optimization problems for functions of two and three variables. The second part of the course reviews the use of matrices in representing systems of linear equations and then returns to the theme of optimization with an introduction to Linear Programming. The final third of the course teaches set notation and theory, basic counting principles, and an introduction to discrete probability. Throughout the course, motivating examples are drawn from applications in business, engineering, and the social sciences. Prerequisites:MA 117 or Calculus for Business and Liberal Arts (4-0-8)
(Lecture-Lab-Study Hours)
Limits, the derivatives of functions of one variable, differentiation rules, and applications of the derivative. Definite integrals for functions of one variable, antiderivatives, the Fundamental Theorem, integration techniques, and applications of the integral. Close |
MA 122, Integral Calculus (4-0-8)
(Lecture-Lab-Study Hours)
Definite integrals of functions of one variable, antiderivatives, the Fundamental Theorem, integration techniques, improper integrals, applications. Close |
MA 115Calculus I (0-0-0)
(Lecture-Lab-Study Hours) An introduction to differential and integral calculus for functions of one variable. The differential calculus includes limits, continuity, the definition of the derivative, rules for differentiation, and applications to curve sketching, optimization, and elementary initial value problems. The integral calculus includes the definition of the definite integral, the Fundamental Theorem of Calculus, techniques for finding antiderivatives, and applications of the definite integral. Transcendental and inverse functions are included throughout. Close |
Close | 3 | 0 | 6 | 3 | PE 200 | Physical Education II | 0 | 0 | 0 | 0 | | Total | 15 | 6 | 29 | 18 |
| Term III | Course # | Course Name | Lecture | Lab | Study | Credit |
---|
HAR 191 | Modern Art History and TheoryThis course introduces students to key moments in the history of modern art in the newly industrial societies of America, Europe, and the [former] Soviet Union. Painting, sculpture, and photography from the 1850s to the 1980s will be examined. Focusing on a wide range of methodological questions, this course will also consider the relationship between avant-garde culture and mass culture, the implications of emergent technologies for cultural production, and the development of radical avant-gardism in the context of authoritarian political formations and advancing global capitalism. Close | 3 | 0 | 3 | 3 | HAR 330 | Animation IThis course introduces students to modeling and simple computer animation using the industry-standard tool, Autodest Maya. It also provides a foundation for further work with 3-D and imaging tools. In addition to technical subjects, students will learn about the history, artistic practice, and developmental trajectory of 3-D graphics. It is recommended (but not required) that the student consider Animation as a two-semester sequence, with the student planning to register for HAR 331 Animation II the second semester. Does not fulfill general humanities requirements; may be taken as a free elective. Close | 2 | 2 | 4 | 3 | HAR 310 | Digital Imaging INew digital technologies have had a profound impact on contemporary art making. This course will examine digital imaging concepts, methods, history, and aesthetics. Students will capture, edit, alter, and publish digital images and work on a variety of projects. Close | 2 | 2 | 4 | 3 | HAR 394 | Drawing IIStudents will focus and expand their visual and conceptual knowledge and technical skills by drawing from the nude model, as well as explore new issues, dialogues, and skills surrounding the medium of drawing. The class will include studio course work and independent projects, as well as group field trips to see current drawing exhibitions in New York City. A class presentation of a chosen artist, as well as a supporting written paper, will be required of each student. The final project will be an interdisciplinary independent project designed and created by each student. Does not fulfill general humanities requirements; may be taken as a free elective Close | 2 | 2 | 4 | 3 | Science Requirement I | | 3 | 2 | 0 | 3 | HUM | Humanities 200/300/400-level | 3 | 0 | 0 | 3 | PE 200 | Physical Education III | 0 | 2 | 0 | 0 | | Total | 15 | 10 | 15 | 18 |
| Term IV | Course # | Course Name | Lecture | Lab | Study | Credit |
---|
HAR 391 | Introduction to Principles of Form and Design IIThis studio course explores the concepts of form and space, focusing on hands-on experiences using different types of materials to create three-dimensional sculptural works. Students are encouraged to be experimental with their combination and use of materials. This course will address formal elements of design and construction in relation to contemporary art works through video documentation, slides and books. Readings that accompany class discussions and a visit to Manhattan will be assigned throughout the semester. Close | 2 | 2 | 4 | 3 | HAR 240 | Introduction to Web Media for the ArtsWebtools for the Arts will examine current internet technologies and web portal developments and their application to the Arts. Through the implementation of basic principles of php, MySql, html, Java and other webtools, students will learn to not only incorporate media content representing their particular interest in the arts but also implement authentication and Ecommerce tools, customize, embed and implement external web content, explore creative and alternative blog usages and explore the next generation cloud environment. Not for general Humanities credit. Close | 3 | 0 | 0 | 3 | Science Requirement II | | 3 | 2 | 0 | 3 | | Secondary Concentration | 3 | 0 | 3 | 3 | HUM | Humanities 200/300/400-level | 3 | 0 | 0 | 3 | CAL 301 | Seminar in Writing and Research MethodsA working seminar in which students will become acquainted with the various research methods and resources in the Humanities disciplines, and with the modes of presentation characteristic of each discipline. Special attention will be paid to clarity of expression and logical structure of essays and research papers. Close | 0 | 0 | 3 | 3 | PE 200 | Physical Education IV | 0 | 2 | 0 | 0 | | Total | 14 | 6 | 10 | 18 |
| Term V | Course # | Course Name | Lecture | Lab | Study | Credit |
---|
| Art and Technology Elective | 3 | 0 | 0 | 3 | | Art and Technology Elective | 3 | 0 | 0 | 3 | | Art and Technology Elective | 3 | 0 | 0 | 3 | HUM | Humanities 200/300/400-level | 3 | 0 | 0 | 3 | | Secondary Concentration | 3 | 0 | 3 | 3 | | Elective | 3 | 0 | 0 | 3 | | Total | 18 | 0 | 3 | 18 |
| Term VI | Course # | Course Name | Lecture | Lab | Study | Credit |
---|
| Art and Technology Elective | 3 | 0 | 0 | 3 | | Art and Technology Elective | 3 | 0 | 0 | 3 | | Art and Technology Elective | 3 | 0 | 0 | 3 | | Secondary Concentration | 3 | 0 | 3 | 3 | | Aesthetics | 3 | 0 | 0 | 3 | | Elective | 3 | 0 | 0 | 3 | | Total | 18 | 0 | 3 | 18 |
| Term VII | Course # | Course Name | Lecture | Lab | Study | Credit |
---|
CAL 498 | Thesis PreparationThe student will complete a major research thesis in the area of concentration under the guidance of a faculty advisor. Open to Bachelor of Arts students only. Close | 0 | 0 | 3 | 3 | | Secondary Concentration | 3 | 0 | 3 | 3 | | Elective | 3 | 0 | 0 | 3 | | Elective | 3 | 0 | 0 | 3 | | Art and Technology Elective | 3 | 0 | 0 | 3 | | Art and Technology Elective | 3 | 0 | 0 | 3 | | Total | 15 | 0 | 6 | 18 |
| Term VIII | Course # | Course Name | Lecture | Lab | Study | Credit |
---|
CAL 499 | Senior ThesisAn individual program of study arranged between student and instructor. A tutorial plan must be prepared (and presented to the Tutorial Committee of the Department of the Humanities) outlining the program and indicating the nature and scope of the project (generally a written paper). Upon completion of the program, the student will receive a grade and credit for a humanities elective. Close | 0 | 0 | 4 | 4 | | Art and Technology Elective | 3 | 0 | 0 | 3 | | Secondary Concentration | 3 | 0 | 3 | 3 | | Elective | 3 | 0 | 0 | 3 | | Elective | 3 | 0 | 0 | 3 | | Total | 12 | 0 | 7 | 16 |
| |